As the creators of StageClix, we know exactly what our wireless systems are designed to do. We spend countless hours testing them in demanding RF environments, measuring performance, and pushing the limits before every release.
But when guitarist Christian, who performs with Philharmonic Rock, sent us photos of his live setup, we had exactly the same reaction: "Wow."
Not because he was using StageClix. But because of where he was using it.
A Stage Full of Wireless Technology
Philharmonic Rock is unlike a typical rock band.
The project combines iconic rock and pop songs with the full sound of a symphony orchestra, creating powerful live performances that blend two musical worlds into one.
- A complete orchestra.
- A rock rhythm section.
- Lead vocalists.
- Multiple wireless microphones.
- Wireless in-ear monitoring systems.
- Several guitars.
- Hundreds of lighting and production devices.
Performances take place in concert halls with audiences of around 1,000 people as well as large open-air venues.
From an RF perspective, these productions are incredibly busy.
That is exactly why Christian's setup caught our attention.
More Than Fifteen Years with StageClix
Christian has been using StageClix since the very first Jack systems appeared around 2010.
He originally discovered the system through a guitar magazine review.
What attracted him back then is exactly what many musicians still appreciate today:
- compact transmitter suitable for virtually any guitar
- long battery life
- charging directly through the receiver
- dependable wireless performance
But the most remarkable part is that he has never really found a reason to change.
"I have stayed with these systems ever since because they have always worked reliably and I have never experienced any signal interference."
For us, there is hardly a better compliment.
The Setup That Looks Like a Piece of Art
When Christian first sent us photos of his rack, we spent several minutes simply looking at it.
Everything is carefully planned. Everything has its place. The cable management is immaculate.
The receivers are mounted vertically beside the guitar equipment, making excellent use of the available rack space.
With the Jack 5.8 receiver's rotatable display, battery level, RF status and audio level remain perfectly readable regardless of the mounting orientation.
As engineers, we probably appreciated this even more than we should have.
It is one of those setups that is simply satisfying to look at.
Five Guitars. One Performance.
One of Christian's biggest technical challenges is not wireless coverage. It is time.
Some arrangements require switching between up to four different instruments within a medley.
This year's setup includes:
- three electric guitars
- one lap steel
- one acoustic guitar
Fast instrument changes leave no room for complicated procedures.
"The Stageclix system is particularly advantageous when it comes to quick guitar changes... It also allows for fast swapping between instruments thanks to the direct plug-in connection."
For live productions, reliability often means saving valuable seconds.
The Part That Surprised Even Us
As manufacturers, we naturally pay close attention whenever customers describe the RF environment they perform in.
Christian's concerts include numerous wireless microphones and monitoring systems operating alongside his own equipment.
Many musicians assume this is exactly where problems begin.
Yet Christian tells a different story.
"During the past three years I have not experienced a single signal dropout or interference—even though we use a large number of wireless microphones and in-ear systems."
We genuinely did not expect to hear that. Not because we lacked confidence in StageClix.
But because these are exactly the kinds of environments where RF engineers expect challenges.
Stories like this are incredibly valuable because they come from real-world use rather than laboratory testing.
Silence Matters Too
Reliable wireless transmission is only one part of the equation.
For Christian, another important aspect is keeping the signal path quiet.
"The Stageclix system performs exceptionally well, as it produces virtually no noise or hiss."
When performing with a full orchestra, every unwanted noise becomes far more noticeable.
Maintaining a clean guitar signal helps preserve the dynamics of the entire performance.
Music First
One answer from Christian stood out more than any technical detail.
When asked what Philharmonic Rock means to him, he didn't start talking about concerts or equipment.
Instead, he said:
"The joy of making music together is always at the center of everything we do."
Perhaps that is the real purpose of reliable wireless equipment.
Not impressive specifications.
Not complicated technology.
Simply allowing musicians to focus entirely on making music.
Thank You, Christian
We would like to thank Christian for sharing his experience, answering our questions, and allowing us to show his setup.
We are also looking forward to seeing the new photos from the latest Philharmonic Rock tour.
It is always inspiring to see StageClix being used in such demanding productions—and even more rewarding when it quietly does its job so musicians can focus on theirs.
Philharmonic Rock proves that rock guitars and symphony orchestras can share the same stage beautifully. We're proud that StageClix gets to be part of that performance.
